Cake Raffle
- laurakeddie3
- Jul 22, 2021
- 1 min read
Updated: Aug 30, 2021
Congratulations to Anna for winning our membership cake raffle! The cake is kindly being donated by Planet of the cakes - a local Inch business.
Remember to join the ICA if you haven’t already, it’s free for local residents of the Inch!
Planet of the cakes, a local Inch business has generously donated a cake to the ICA, and you can win it just by signing up to be Member!
Membership is free for inch residents and only £5.00 for people living outside of the catchment area.
The raffle ends on the 19/08/2021 and the winner will be randomly selected on the 20/08/2021.
HOW TO SUBMIT:
Online submissions
You can register for membership online at https://inchhouse.scot/members
Post submissions
You can request a paper copy of the members application form by post, with your name, address and number to
Inch House
225 Gilmerton Road
Edinburgh
EH16 5UF
Good luck everyone!
Terms and conditions
This competition is for ICA members only. By registering as a member of the ICA you will be entered in the Cake draw and you agree to the following terms and conditions:
Only one entry per person, multiple accounts/emails registered will not count as multiple entries.
You understand that ICA’s decision on the result of the competition is final and no correspondence will be entered into.
You understand you solely are responsible for implementing these terms and conditions and that ICA may undertake no further checks. You further understand that if ICA have cause to believe that any of these terms and conditions have not been observed they can remove your entry from the competition, publication or void prizes at any time and without further notice or correspondence.
These terms do not affect any of your statutory rights.
This was a really sharp and thought-provoking read, especially the way it connects the struggles of the entertainment industry to wider shifts in capitalism and how cultural production is increasingly shaped by profit pressures rather than creativity or stability. The argument about how artists, writers, and media workers are expected to constantly adapt to unstable and competitive conditions feels very reflective of broader trends in the modern “attention economy,” where visibility often matters as much as value itself. It also highlights how fragile creative work can become when it is treated purely as a market product. Overall, it leaves you thinking about how culture is consumed and produced under these newer economic pressures, and for students balancing similar heavy readings,…